Media mode of production is the assemblage
of media forms and communicative practices, which create a specific media
environment. These media modes of
production are constituted by two specific conceptions. The first articulation
looks at how media modes of production both social practices of creating
symbolic meaning (amode of communication), social practices of emotion and
embodiment of that attached to meaning (modes of affect) and social practices
of accumulating capital and power (mode of accumulation). The second
articulation constitutes how media artifacts and messages are brought into
being and spread. These articulations manifested themselves in two very
different examples of social media going viral, while holding the same
concepts. The virality of social media in the 21st century like that
of the Ermahgerd memes greatly differs
from that of social media, like Thomas Paine’s Common Sense that was seen in the 18th century.
Thomas Paine’s pamphlet Common Sense helped sparked the American
Revolution in the early 1770’s and was one of the most influential publications
of its time. Common Sense went viral
in the literal sense of the term as a result of it spreading to many places
quickly, through being shared with friends, neighbors and family through
hand-to-hand passage. Paine also enabled more printers to publish his Common Sense (Standage, 143), which
allowed for more wide spread distribution. With two separate publishers vying for
business from the pamphlet the interest was only heightened. In relation to the
first articulation, we can see here with Paine that creation and production is
not the same thing. Although Paine was the creator of Common Sense, he was not the only producer of it. Common Sense was read as church sermons,
and extracts of it appeared in newspapers throughout the colony. This enabling of others to product the
pamphlet is one of the biggest reasons it went viral. The communities of participation are
important in the circulation and distribution of Common Sense.
Although Common Sense and the Ermahgerd
meme take place in very different points of history, the theory behind
virality shows why both went viral in our society. According to Kevin Alloca,
for something to go viral it must contain three main elements: tastemakers,
communities of participation and unexpectedness. Both Common Sense, and the Ermahgerd
meme, possess these qualities, albeit in different ways. The Ermahgerd meme spread through various
online tastemakers like the website Funnyjunk, as well as the meme base cite
Derp. From there communities across the web began participating in the
creation, and distribution of the meme, where variations are now even applied
over animal photos. When the photo was
uploaded, in no way was there the expectation that it would become a meme known
across the globe, giving the last element of unexpectedness. We can see how the
first articulation is also very relevant to 21st century social
media.
18th century virality relied
heavily on physical production and sharing of information, often with a strong
message or purpose behind the message. Although it shares many similar ideas to
Alloca’s definition of what something needs to go viral, the reach in terms of
distance the information travels for Common
Sense I that the Internet has the ability to bridge more multiple networks
in its digital space. The speed of spread is, although fast for the 18th
century, not as fast as what digital communities can provide. One of the greatest differences I perceive
between 18th and 21st century social media is based
around the second articulation, and the mode of affect. The mode of affect is
about emotion, and Common Sense
tapped into this mode of affect far greater than most of our social media today
can. A lot of our social media is concerned with entertainment, whereas a big
part of virality in the 18th century was the affect it stirred in
readers.
As we can see with both Common Sense, and the Ermahgerd meme, there are many
differences in the virality of social media today, versus then. Common elements
run throughout each, but ultimately digital spaces give us the opportunity to
take being viral to a whole new level.
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