Thursday, 5 November 2015

Blog Post Assignment #3

CS 371-Social Media and Social Life
Blog Post Assignment #3





Over the past few classes, we have exploring the concept of a “media mode of production”.  A media mode of production is assemblage of media forms and communicative practices which creates and specific media ecology or environment.  In class, we discussed how media modes of production are constituted (for our analytical purposes) by two distinctive conceptual articulations.

The first articulation entails looking at how media modes of productions are simultaneously a mode of communication (social practices of creating symbolic meaning), modes of affect (social practices of emotion and embodiment that attached to meaning) and a mode of accumulation (social practices of accumulating capital and power).

The second articulation concerns how media artifacts and messages are brought into being and spread through a culture, community, or society, and is manifested in the spatio-temporal dynamics of relations of creativity and production, relations of distribution and circulation, and relations of consumption and reception.

Your task in this blog post is to reflect on how these articulations are manifested in two very different examples of social media “going viral”: Thomas Paines’s pamphlet “common Sense” that helped spark the American Revolution in the early 1770s  (discussed on pages 139-146 in Standage, Writing on the Wall) and the legendary  Ermahgerd meme (http://knowyourmeme.com/memes/ermahgerd). You may also choose any other recent or contemporary social media viral meme (i.e. “Double Rainbow”, Rebecca Black’s Friday",  Drakes’ Hotline Bling” as long as the meme has been confirmed on the Know Your Meme data base (http://knowyourmeme.com/)

In your post, your main point should be illuminate how the virality of social media of the 18th century differs from the virality of social media in the 21st. In making your point, be sure to explicitly make reference to the articulations of the social media mode of production and their conceptual elements.  You may also the definitions of “going viral” by Kevin Alloca as well as Nahon and Helmsley helpful to your discussion (although it is not a requirement that you use them).  These definitions are:

I.                    Kevin Allocca, “Trends Manager” of YouTube (https://www.youtube.com/watch?v=BpxVIwCbBK0
In order for “media content” to go “viral” and become a cultural moment, three things happen: 1) the content is introduced into the mediascape by a “taste maker” (i.e. Jimmy Kimmel and the ‘Double Rainbow” video); 2) community participation that creatively transforms original content (i.e. remixes of NyanCat); 3) the content must be “unexpected” or novel.

II.                  Karine Nahon and Jeff Helmsley, Going Viral (Polity Press, 2013)

Virality is a social information flow process where many people simultaneously forward a specific information item, over a short period of time, within their social networks, and where the message spreads beyond their own [social] networks to different, often distant networks, resulting in a sharp acceleration in the number of people who are exposed to the message.
Therefore, identifying and measuring virality is made of the basis of 1) the human and social characteristics of information sharing from one to another; 2) the speed of the spread; 3) the reach in terms of the number of people exposed to the content; and 4) the reach in terms of the distance the information travels by bridging multiple networks.


The due dates for this assignment are Monday, November 9, 6 PM for your original posts and Friday, November 13 , 6 PM for your responses.

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